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More to come.TagScanner Is A Multifunction Program For Organizing And Managing Your Music Collection. Throw him alms and praise for uploading my trash. Probably my 2nd best ’98 PJ recording, next to Birmingham, AL (which was recorded from 3rd row, Stone’s side). The PJ community was (and at times still can be) rather ‘uppity’ back in the day, so I hardly circulated any of my masters from the ’98 tour (Albuquerque being the exception). Had great seats, and the recording reflects that.
Not to mention the rest of the set was Yield-solid. It was probably as close to the craziness of Indio ’93 that was ever witnessed by myself.
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If you beg do differ, just listen to the performance of “Rockin’ In The Free World” from this night. This was my 6th PJ show in a row, and they truly pulled out all of the stops. I don’t remember a tremendous amount about this show other than it was bacchanalian in nature. – The recorder was stopped and restarted during the “Encore Break #2” applause – seamlessly spliced, no music lost – Tape flip during “Encore Break #1” applause – seamlessly spliced, no music lost – Tape flip during “Wishlist” (at 2:24) – seamlessly spliced, a few seconds of music lost Stone Gossard – rhythm guitar & backing vocals
Mike McCready – lead guitar & backing vocals (2) includes Eddie’s tongue-in-cheek rant about flag burningĮddie Vedder – lead vocals, harp, & acoustic guitar (1) part of the B-52’s song, only time played by Pearl Jam Recorded & transferred by: Steve “ballsdeep” Hagar Location: Section E, row 17, seat 4 – middle of the floor, right of the SBD
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WAV > Sound Forge Pro 11.0 (Build 299) > CDWav tracking) > Trader’s Little Helper (level 5) > FLAC > TagScanner 6.0.18 (tagging) Transfer: Master cassettes (Maxell XLII-S) > Denon 790R > Kenwood A-522 amplifier > Kenwood GE-622 Equalizer >. Source: Sonic Studios DSM-6P w/3-way lo-cut filter, position unknown (most likely 80hz, middle setting) > Sony WM-D6 Transferred, converted, and text compiled by Dan Leehr on 05/23/04. Sums for the extracted WAV files, and the SHNTOOL reports. This seed is being distributed with this text file, a set of FLAC fingerprints, a set of MD5
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There are no fades between disc 1 andĭisc 2, so if you are somehow able to get the full first set onto a disc, it will still be Paused his DAT, and fade out at the end of the show. The onlyĮdits performed were a fade in at the beginning, fade out/in at encore 2 when the taper Is some clipping in the first few songs, but it’s not audible. Taper adjusted levels a little in the beginning of the show, and then a few songs in.
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Transfer: DAT-C > Archive Python DDS Drive > DAT2WAV 1.2 > WAVĬonversion: WAV > Adobe Audition 1.0 (48KHz -> 44.1KHz, Fade In/Out) > CDWav > FLAC Source: AKG460b + CK63 > Beyer pre-amp > Sony TCD-D8 > DAT (4th Row, right) Mike dedicates ‘Yellow Ledbetter’ to his dad. ‘MFC’ is introduced with, “If you gotta get out, get a small car.” During ‘RitFW,’ he goes off on a sarcastic political rant about how he’s glad our politicians are out there protecting us from flag burning … no need to focus on problems like sewage being poured into the oceans because we’ve got flag burners to deal with. Ed skips the first verse of ‘RVM’ and repeats the second twice, and the second go round is excellent and the jam goes way out and comes back hard! Not a lot of chat, until before ‘Immortality’ Ed says, “hometown boy, Matt Cameron.” ‘Wishlist’ lyric changes: Ed sings “as fortunate as YOU” and instead of “I wish I was the evidence, I wish I was the grounds,” he says “sound.” At the end, he sings, “I wish I was a mountain, wishes can come true, I wish I wish I wish I wish … if you ever want to, do …” (San Diego WAS where the original PJ lyrics were written.) ‘Even Flow’ is humorously flubbed–he goes into the chorus too soon but catches himself, and Mike’s wicked solo is reeled back eventually by Stone, with Ed noting, “that’s Mike over there.” ‘Roam’ is a B52s cover, with Ed noting is as “… one of the deepest secrets they’ve hidden in their songs besides ‘tin roof, rusted’”. ‘Corduroy’ features a completely different intro, starting out with just guitar and then the drums build in. Tiny venue, poor sound, GREAT crowd, very ON performance with a few rough spots.
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